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S. W. TILTON & CO. BOSTON. 



Copyright, S. W. Tilton & Co., 1883. 



TILTON'S SELF-INSTRUCTIVE ART SERIES. 



INTRODUCTORY LESSONS 



DRAWING AND PAINTING 

IN 

WATER COLORS. 



By MARION KEMBLE. 



SELF-INSTRUCTIVE. 



With Lists of Materials, their Cost, and all information necessary 
for the beginner. 




and there are six outline drawing 



The author begins at the begin- 
ning, and tells all those little things 
which it is absolutely necessary the 
beginner should know, and which 
teachers generally overlook, taking 
it for granted that they are already 
known. In fact, it assumes that the 
pupil knows nothing whatever upon 
the subject, and explains everything 
so clearly as to render him wholly 
independent of a teacher in acquiring 
the rudiments of drawing and paint- 
ing in water-colors. The text is 
profusely illustrated with diagrams, 
for practice in Sepia. 



PRICE, FIFTY CENTS. 

OTIIEB BOOKS BY THE SAME AUTHOR WILL FOLLOW. 



Any article mentioned in these pages will be sent by nail, post-] .:. ■ 
on receipt of price, by S. W. Tilton & Co., Boston, Mass. 




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PREFACE. 



The objects of this series of books of outline pictures arc manifold. The pictures 
arc designed for giving practice to those who desire to learn how to paint in water- 
colors ; the instructions are simple, and will show the beginner what effects may- 
be had in simple flat and graded washes of color. Those more advanced in painting 
may color them for birthday or Christmas presents for their little friends. A book 
painted by some friend will possess an individuality, and always be more highly 
prized than one from the bookseller. Again, children who are looking for pictures 
to paint will find these best suited to their wants. The series, when completed, will 
contain books of figures, flowers, landscapes, animals, fruits, birds, etc., etc. 

This book is a part of a self-instructive system of art education under the form of 
amusement. 

The first steps are explained in the little book entitled " Introductory Lessons in 
Drawing and Painting in Water-Colors," by Marion Kemble. Price, 50 cents. 

This book begins with primary instructions in drawing and closes with six lessons or 
studies in sepia, and teaches thoroughly how to lay on flat and graded washes. The 
instructions are intended for beginners without regard to age, and will teach them how to 
use colors and to fully understand and execute the directions for painting these outlines. 

After acquiring a knowledge of colors and how to use them, all practice with the 
brush will be of value to the pupil. Without such knowledge it may do great injury, 
especially in the case of children. 

With the aid of this book parents will be the best instructors of their children. 



Note. — Send to the publishers for their latest price list of outlines for Water-Color Painting. 



DIRECTIONS FOR COLORING JACK IN THE 

PULPIT. 



I. Title-page. — Leaves, bluish-green (gamboge and Prussian blue) ; where indicated 
by lines darker, add a little light red and indigo. Stems, reddish-brown (Vandyke brown 
and a little light red ; small leaf under berries, brownish (yellow ochre and a very little 
Vandyke brown). Berries, red (vermilion) ; where indicated by lines darker, add crimson 
lake or carmine, if you have it. Ground, reddish-green ; put a wash around the base of 
stems, darker close to panel : use your green already mixed and add light red. Bird, yel- 
low (gamboge) : carry the wash over the whole of the bird ; wings, tail, head, and back, 
darker (add Vandyke brown to gamboge) ; beak and leg, dark brown (Vandyke brown, 
strong) ; around tail and wings of bird, extending beyond two small leaves at upper left- 
hand side, put an irregular wash of blue (cobalt). Branch, grayish-brown (sepia). Letters, 
dull red (light red and a little Vandyke brown). 

II. Under the Green Trees. — Sky, blue (cobalt), beginning irregularly at top of 
page back of tree, and fading out to white just beyond the branch at top of panel, and ex- 
tending down to trees on the same side. Leave the space for the blossoms white, but you 
may carry the wash over the leaves and stems, except lower trunk of tree. When dry, 
paint the blossoms pink (crimson lake and a very little vermilion). Leaves of trees green 
(cobalt and gamboge, and vary the shade with indigo and gamboge). Trunk and branches, 
reddish-brown (Vandyke brown, burnt sienna), or light red, the lower part darker than the 
branches. Distant trees and foreground, yellow green (gamboge and Prussian blue) ; un- 
derneath panel kt the wash fade to white ; go over the trees a second time, to make them 
darker than the ground, but not as dark as leaves of tree, because they are further off. 
Leaves and grass in foreground, green (gamboge and indigo), some lighter (add more yellow 
and a little light red. Butterfly, yellow (gamboge). Arrow leaves, olive green (Prussian 
blue, gamboge, and a little vermilion) ; to leaf on panel add a little more yellow (yellow 
ochre). 

III. Squirrel and Song Sparrow. — Behind bird, beginning just above beak, put an 
irregular wash of blue (cobalt), extending to bottom of page, and under large circle, darkest 
part close to circle at bottom and between branch and tail of bird, but do not make it all 
the same tone in space just mentioned. Bird, brown (Vandyke brown), light wash ; tips 
of wings, tail, and neck where indicated by lines, dark ( more Vandyke brown) ; leg and beak, 
yellow (gamboge). Stent, grayish brown (sepia) ; leaves, yellow-green (gamboge and a little 
Prussian blue). Around large circle put a dark red line (also letters), burnt sienna or light red. 



Squirrel, grayish-brown (sepia, medium wash) ; tail, eye, mustache, and where indicated 
by lines darker (sepia stronger). Sky, yellow (gamboge) ; while wet, put a little streak of 
crimson lake into sky just about head of squirrel, and make the piece of sky on lower left- 
hand part of circle brighter yellow (second wash of gamboge) than the rest. Leaves, 
dark, olive green (indigo, a little gamboge, and a little light red). Branch, dark brown 
(Vandyke brown, repeated washes). Around circle, dark red (Vandyke brown strong, and 
a little light red). 

IV. " Come hear what his Reverence." — Leaves, different shades of green (gam- 
boge, cobalt, and a little indigo) ; leaf just about largest flower and one to the left of it, also 
leaf extending on to panel, pale light green (gamboge and a little Prussian blue) ; small 
leaf mostly under panel, darkest (add light red). Steins, reddish-green ; add a good deal of 
light red to the green, and at the bottom of stem crossing panel add Vandyke brown ; broad 
leaf at bottom of page encasing stems, pale yellowish-red, yellow ochre, a little green 
(gamboge and Prussian blue), and light red on one side for shadow. Floivcrs, green (gam- 
boge and Prussian blue) ; small flozver, the stamen (or flower in this case — the covering, or 
what seems to be a flower, is called a spathe) dark brown (Vandyke brown and a little light 
red) ; marking in the flower, same color ; large flower, top, or outside of covering, grayish- 
green (yellow ochre, cobalt, and light red, medium tone) ; the stamen, yellow green (gam- 
boge and a little Prussian blue) ; back of it, or inside of flower, dark green (gamboge, 
indigo, and light red) ; around panel, line of vermilion (strong). 

V. In Black and Gold Velvet. — Bees, three at top of page, body yellow (gam- 
boge) ; stripes and legs, black ; wings, .left white, pale blue at tips (light wash of cobalt). 
Sky, at top, pale blue (cobalt), deeper near the ground, and add a very little crimson lake ; 
continue the color (more crimson lake) between the triangular space near the bottom. 
Hives, yellow (pale wash of yellow ochre) ; to shadow and markings add Vandyke brown. 
Ground, back of hives, yellow green (gamboge and a little Prussian blue) ; in front of 
hives and shadow under large hives, add indigo and Vandyke brown, perhaps a little burnt 
sienna. Grape leaves, various shades of greens (gamboge, indigo, and in some a very 
little light red); stalk, brown (Vandyke brown; leaves in foreground, yellowish-green (gam- 
boge and a little Prussian blue). Bees, body black, wings white, tips gray (very pale 
wash of cobalt and light red). 

VI. " The Violets." — Flowers, purplish-blue (cobalt and a very little crimson lake) ; 
make the petals a little darker close to centre than at the edge ; centre, yellow (gamboge), 
and bottom of little centre a touch of vermilion, to be put on before the yellow dries. 
Leaves, various shades of green (gamboge, Prussian blue, and for darker leaves add a little 
indigo) ; the small leaves at the bottom very yellow-green (more gamboge), and melting 
into yellow brown of the root (Vandyke brown, yellow ochre, and a very little light red). 
Run a few streaks of the brush beyond the markings of the root. Butterfly, wash of light 
red; body and markings, Vandyke brown. 

VII. " The Columbines bravely." — Flowers, vermilion ; over lower part of petals, 
when dry, add a wash of gamboge, and the upper part make bright red (another wash of 
vermilion and a little crimson lake) ; stamens, yellow (gamboge) ; leaves and stems, various 
shades of dull green (gamboge, indigo, and a little light red). Landscape in circle : Sky, blue 



(cobalt), very pale wash, add streak of stronger blue (more cobalt) about the middle of the 
sky ; ground, pale yellow-green (gamboge and a very little Prussian blue) ; rocks, pale wash 
of yellow ochre and light red, to shadow add Vandyke brown and more light red ; bush, 
yellow-green (Prussian blue and gamboge.) 

VIII. " Meek-faced Anemones." —Behind flowers within circle, pale blue (cobalt) ; 
leave the flowers white, but you may wash over the stems and leaves. Flowers, white ; tips, 
pink (crimson lake) ; small bud outside of circle, crimson lake. Leaves and stems, various 
shades of bright green (gamboge and Prussian blue) ; to lower stems add a little light red. 
Around circle and octagonal fignre, make a pink line (pale wash of crimson lake). 

IX. "Yellow Violets." — Flowers, yellow (gamboge, very strong wash); stems, 
pale wash of gamboge ; leaves, except leaf behind flower-bud, dull yellow green (gamboge, 
a very little Prussian blue, and a little light red) ; leaf behind bud, brownish green (add 
more light red) ; the tip of the tallest leaf, reddish-green. To green already mixed add a 
good deal of light red. Ground, brownish green (indigo and a very little gamboge) ; slight 
wash about the roots of the flower. Back of leaves, just above ground, and extending 
beyond lowest flower, irregular wash of blue (cobalt). Line around panel and letters, dull 
red (light red). 

X. " Buttercups' Faces." — Floivcrs, yellow (gamboge) ; go over the entire flower 
with the wash, and when dry repeat over the face of the flowers, omitting the back or 
outside, which must be lighter than the inside. If not dark enough, go over it a third 
time, or until the desired shade is obtained. Centre of Flower, bright green (gamboge and 
a very little Prussian blue). Stamens, dark yellow (gamboge, Vandyke brown) ; shadow 
on flowers, use gamboge, Vandyke brown, and light red. The three small leaves next the 
partially opened flower, yellow-green (gamboge and a very little Prussian blue). Leaves 
and steins, various shades of green (gamboge, Prussian blue) ; stems lighter than the 
leaves. Grasshopper, brown (Vandyke brown) ; legs dark brown (repeated washes of Van- 
dyke brown). Fly, body, peacock-blue (Prussian blue and a very little gamboge) ; wings, 
pale wash (use more water) of the same. Bug, dull red (light red and a little vermilion) ; 
spots and legs Vandyke brown. Put a pale wash of light red over panel in corner and be- 
hind bugs at bottom of page ; broad line between flowers and bug, dark red (Vandyke 
brown and light red, or burnt sienna) ; put line of same color all around the page and 
around triangle ; letters will be improved by same color. 

XI. " Clovers." — Within circle, pale wash of delicate green (gamboge and a little 
cobalt, with a good deal of water) ; go over the leaves and stems, but leave the flowers 
white. Leaves, olive-green (gamboge and indigo in different proportions) ; stems darker. 
Grass, yellow green (gamboge and Prussian blue) ; grass showing back of leaf, and small 
leaf at top of page, quite yellow green (almost clear gamboge, touch of Prussian blue) ; 
long leaf extending to bottom of page, dark (add a little indigo and light red) ; long grass 
stem, reddish. To the green already mixed add light red, pretty strong ; darker at the 
bottom, near circle (add a little Vandyke brown). Flowers, outside of circle, pale rose 
color (crimson lake) ; more color at the tips, fading to white at the base. Small blossom 
partly within circle, very pale rose (crimson lake with more water). Two flowers in circle, 
white; where indicated by shadow, pale wash of yellow ochre; markings on the leaves, 



reddish-brown (light red and Vandyke brown). A pale, irregular wash of cobalt may be 
put between circle and panel, not extending beyond the blossoms, but do not leave it off 
abruptly. Line around circle, dark (Vandyke brown). 

XII. Daisies. — Put an irregular wash back of stems and two lower flowers extend- 
ing across the page, of pale, light, yellowish-green (gamboge and a little Prussian blue , 
and near the bottom add light red. This may be omitted if the pupil finds it too difficult 
to carry the brush carefully around the petals of the flowers. Flowers, left white, shaded 
where indicated by lines, greenish gray (gamboge, cobalt, and light red : pale wash). The 
lower flower-tips of petals white, shaded around centre ; the one above it, or centre flower- 
tips, shaded, and white around centre ; the upper flower-tips shaded, except two top 
petals on each side. Centre of 'flowers, yellow (gamboge) ; shadow, vermilion and a little 
Vandyke brown ; centre of top flower, lighter than the others. Leaves and stems, dark 
green (gamboge, Prussian blue, and a very little indigo and light red to the darkest) ; put 
a line of vermilion around the panel and around the page over printed line. 

XIII. Dandelions. — Flowers, yellow (gamboge) ; shadow, where indicated by lines, 
gamboge, vermilion, and a little Vandyke brown : always remember to put a second wash 
of color if one is not bright enough. Leaves, olive green (gamboge, indigo, and in the 
darkest places, a little light red). Around stems on the ground and two lower leaves put a 
wash of reddish green (light red and a very little green (gamboge and Prussian blue). 
Outline panel in light red, also, leaves and flowers. 

XIV. Innocents. — Surface behind flowers within circle, pink (a very light wash of 
vermilion) ; dilute the color with a good deal of water: leave the flowers white, but you 
may run the wash over the leaves and stems. When dry, paint the leaves green (gam- 
boge and a little cobalt). Stems, darker (more color) ; centre of flowers, yellow (gam- 
boge) ; spider, brown (Vandyke brown and a very little vermilion) ; fly (Vandyke brown). 
Carry over portion of web below circle, very pale wash of blue (cobalt) ; other side of web 
near edge of picture, very pale wash of green (cobalt and a very little gamboge). Neither 
of these washes should run out to the edge. Put on in irregular masses, fading out from 
centre ; carry a line of greenish blue (cobalt and a very little gamboge) along bottom of 
page, close beneath printed line, and continue it up left side, ending at top of perpendicu- 
lar printed line. 

XV. "Wildwood Geraniums." — Flowers, delicate purple (crimson lake and a little 
cobalt, very pale at the centre) ; where indicated by lines darker (second wash of the same 
color). The buds must be lighter (less color) ; stamens, darker (more color). Leaves, 
dull green (gamboge, indigo, a little Prussian blue, and, in the shadow, light red) ; 
buds and tiny leaves close to buds, a little yellower (more gamboge) ; stems, dark (gam- 
boge, indigo, and light red) ; more red near the bottom. 

XVI. " Lo, White Indian Pipes." — Panel on which the verse is printed, yellow 
(gamboge), darker at the top ; ground, dark green (indigo and gamboge) ; on right and 
under flowers on left, gamboge and a little cobalt. Ferns : large fern, green (cobalt and 
a little gamboge) ; small fern, reddish brown (burnt sienna, or light red and Vandyke 
brown) ; sky, blue (wash of cobalt). Beginning irregularly near top of panel above ferns, 
and not extending down behind ferns, behind the tree, near top of panel, carry wash irregu- 



arly down to ground ; when dry, paint trunk of tree light brown (Vandyke brown, with a 
little vermilion). Foliage of tree, dark green (indigo and a little gamboge) ; where it 
touches panel, very dark (more color) ; around panel carry a line of vermilion. Pipes, left 
white, shaded where indicated by lines, bluish gray (cobalt and a very little vermilion). 

XXII. "So much for the Preacher." — Flowers, pink (vermilion) ; buds, darker 
(add a little crimson lake to color) ; leaves, various shades of green (gamboge and cobalt) ; 
make the small leaves lightest : to some, add a little light red. Butterfly on flowers, yel- 
low (gamboge) ; his body and spots on wings, light brown (a very light wash of Vandyke 
brown). Flying butterfly, light greenish-blue (very pale wash of cobalt, with a very little 
gamboge). Dragon fly, body, and tail, dull, dark green (indigo and gamboge) ; wings : put 
over the entire wing pale wash of cobalt, with a very little crimson lake ; when dry, put 
over upper point of wing very pale wash of green (gamboge and a very little cobalt). 

XVIII. Swallows. — Sky, back of birds, blue (cobalt, fading to white at the bot- 
tom) ; breast of upper bird and throat of middle one, delicate wash of light red ; middle 
bird, left white ; tips of -wings, tail, and head, black (if you have n't black make it : indigo, 
sepia, and crimson lake) ; upper bird, except back of tail and lower wing, black ; markings 
on both birds, where indicated by lines, black ; lower bird, all black or gray black ; tip of 
tail and wings, darkest places ; line across page dividing panel, dull red (light red and a 
little Vandyke brown) ; bee, yellow gamboge ; to shadow, add Vandyke brown ; legs, dark ; 
wings, white ; tips, pale wash of cobalt ; small bird, Vandyke brown (medium wash) ; 
branch, dark green (indigo and a little gamboge) ; Jack, yellow green (gamboge and a little 
Prussian blue) ; inside and top of flower, little darker (more color and a little light red) ; 
centre of flower, add a good deal of light red ; letters of verse, dull red. 

XIX. Cover. — Put a wash of indigo over the_/, except the four oblong places in 
the long part of they, and two scrolls from the mouth; also over ack in the and./. G. 
Whittier. Scrolls, four oblong places and pulpit, poem by, letters, pale red (vermilion and 
a little Vandyke brown). Between the two lines, including pulpit, poem by, and other 
side of J, in the same space, a wash of indigo; it may be carried over the letters if you 
have put on the light red. 



GENERAL REMARKS. 

To heighten the effect of these pictures after they are painted it is desirable to out- 
line them, that is, to go over all the printed lines of the picture with a darker shade of 
color ; in most cases, dull red or reddish brown is the most desirable. In some of the 
special directions I have said outline in dull red, but the others are just as important as 
those mentioned. The directions are given to assist the beginner, but some may prefer to 
use their own judgment, or even paint them from nature. 



TWENTY-FOUR PICTURES FROM MOTHER GOOSE. 

With full directions for coloring by hand. Size of pictures, 6 X 6 1 / 

inches. Price, 50 cents. 

SEVEN TIMES ONE ARE SEVEN. 

Poem by Jean Ingelow. And other pictures to paint. Drawn by 
M. M. B., and G. B. J., with full directions for coloring by hand. 
Size of pictures, 6 X 6}£ inches. Price, 50 cents. 

OUTLINES OF FLOWERS. 

With full directions for coloring by hand. Size of pictures, 6 X 6}4 

inches. Price, 50 cents. 

[Other Books of Outlines in preparation.] 

OUTLINES OF LANDSCAPES. 

With full directions for coloring by hand. Size of pictures, 6X6'j 

inches. Price, 50 cents. 

GOOD-NIGHT AND GOOD-MORNING. 

Poem by Lord Houghton. And other pictures to paint. Drawn by 
M. M. B., and G. B. J., with full directions for coloring by hand. 
Size of pictures, 6 X 6}i inches. Price, 50 cents. 

JACK IN THE PULPIT. 

Poem by John Greenleaf Whittier. Eighteen illustrations, with full directions 
for coloring each by hand. Size of pictures, 6x6 l / 2 inches. Price, 50 cents. 

53p = The publishers have printed a few copies of the above book on Whatman paper, price, $2.00. 



In addition to these books of outlines the subscribers issue outline designs on card:: 
and on panels. Catalogues sent free on application to the publishers. 

S. W. Tilton & Co., Boston. 



DIRECTIONS FOR PAINTING THE LITTLE 
BOY ON SEWING-MACHINE. 



Boy : hair and eyebrows, reddish brown (light red, sepia, and a little gamboge) ; hair 
made darker at the ends (second coat of same color after the first has dried) ; flesh, pink 
(a very thin wash of vermilion, with a speck of gamboge) ; shadows on flesh, which are 
indicated by lines, make a little darker by adding a very little light red ; eyes, blue (Prus- 
sian blue, made quite light with water) ; pupils of eyes, black (Vandyke brown and indigo) ; 
lips : lower lip, vermilion ; upper lip, light red and a little sepia ; dress, leave white, except 
shadows, which are indicated by lines in the picture, these paint gray (cobalt, with a 
very little vermilion). Piece of cloth lying across the machine, light blue (Prussian blue, 
made quite light with water) ; shadows, which are indicated by lines, darker blue (same 
color [darker], made by using less water) ; small square in the middle of top, bluish gray 
(cobalt, and a very little vermilion) ; next largest square, brown (sepia, and a little light 
red) ; outside square, darker brown (Vandyke brown) ; diawers in machine, brown (Van- 
dyke) ; go over the knobs and line with a duller brown (add sepia). Running part of the 
machine, black (Vandyke and indigo) ; leave the number 8 and the trimming, yellow (gam- 
boge) ; paint the rod that runs up from the needle, gray (cobalt, and a very little ver- 
milion) ; spools, blue (Prussian blue). Put a wash of gray behind child, beginning at level 
of her shoulders and running irregularly down behind the machine to the edge of the 
circle, but leaving an uncovered place under the right edge of the machine (cobalt, a little 
vermilion, and a very little gamboge) ; shouldcr-kuots, pink (very pale wash of crimson 
lake) line of circle, red (vermilion and a very little light red); all the lettering the same. 
Daisies, left white ; those that are shaded all over to be painted all over bluish gray 
(cobalt and a very little vermilion) ; and the others painted when shaded with the same 
color. Centres, yellow (gamboge), shaded, 'when made, with a little brownish yellow 
(gamboge and a very little light red) Stems and leaves, green. These should be varied 
as much as possible, — some leaves dark, some light, some yellower than others. To do 
this, you may pass your brush occasionally over your yellow cake and sometimes over 
your Vandyke to give a brown tinge. Butterflies, yellow (gamboge) ; tips of wings and 
markings, black (sepia and indigo). 



BUJLFINUK'S MYTHOLOGY. 

AGE OF FABLE 



CONTAINING THE STORIES OF THE 



GODS AND HEROES, 

Which form the subjects of by far the greater portion of the 

ANCIENT FAINTING^ AND STATUARY 

to be found in the ART MUSEUMS of the Old and New Worlds. 

By THOMAS BULFINCH. An Enlarged Edition, printed from 

entirely new type, with over One Hundred New 

Sllustrations from Ancient Paintings 

and Statuary. 

Edited by Rev. E. E. HALE. 

Without a knowlege of Mythology much of the elegant literature of our own 
language cannot be understood and appreciated. In this volume the stories of 
Mythology are told in such a manner as to make them a source of amusement and 
to give our work the charm of a story book, yet by means of it to impart a knowledge 
of an important branch of education. 

In the new edition the publishers have added very largely tc the value of the book, 
as well as to its beauty, by the numerous illustrations from the very best classical 
source.-'. The reader will see that these illustrations, in reproducing the master- 
pieces of ancient art, give the best idea whicn we can have of the conceptions which 
Greek and Roman had of the sacred beings in their Mythology. 

Wo trust our young readers will find it a source of entertainment; those more 
advanced, a useful companion in their reading; those who travel and visit museums 
and galleries of art, an interpreter of paintings and sculptures; and those who min- 
gle in cultivated society, a key to allusions which are occasionally made. 

The book has been so widely and so successfully used in schools that it seems 
proper to add that this new edition is considerably enlarged. 

S. W. TILTON & CO., Publishers. 

Sold at our Chambers, 333 WASHINGTON STREET, Boston, or sent by mail 
to any address en receipt of pr ; ce, $2.50. 




We wish to call particular attention to this Box of Colors. They are not Toy Colors, but are manu- 
factured expressly for us in London, for the use of Art Students and beginners in Water-Color Painting. 
The following are samples of a large number of testimonials which we have received from those who have 
used our colors, and will convey, perhaps, a more satisfactory idea of their value than any words of ours: 

Messrs. S. W. Tilton & Co. Dear Sirs : As far as I have used them, I like them better than the Art School Color-Box, which 
the puoiis have been using. The Colors beiug in pans is an advantage ; also the fact that the Colors can be obtained separately at a 
moderate price. I have recommended the Bkcokative Art Colok-Box to be used next year. 

Very respectfully yours, JULIA A. STETSON, Girls' High School, Boston. 

Messrs. S. W. Tiltox & Co,, 333 Washington St., Boston. Gentlemen : I take great pleasure in recommending your Deco- 
rative Akt COIiOlt-Box. I have used it in the Newton High School, and find that it answers every requirement. The Colors are 
clear and brilliant, end work well, while its low price places it within the reach of all. I consider it the best of the kind in the 
market. Very respectfully, R. F. BOWLER, Teacher of Drawing, Newton and Salem Normal. 

Each Box, which is made of Japanned Tin, has the name of S. W. Tilton & Co., Boston, stamped on 
the lid, and contains three brushes and ten pans of moist Water Colors, arranged in the following order : 

Indigo, Vermilion, Cobalt, Gamboge, Prussian Blue, C. La7ce 9 Vandyke Brown, 

Yellotv Ochre, Sepia, Light Red* 

No change of Colors will be made in the Boxes. Price £0 cts. each, at our office, or sent by mail. 

Each Box contains directions for mixing, so as to make any color called for in painting our Outline 
Design Cards and Books of Pictures, but for the convenience of those who may -wish for other tints without 
the trouble of mixing, we can supply the following colors, separately, at Six Cents each: 

EXTRA COLORS, 

At 10 eta. Kaefa. 



Black. 

Drown Madder. 
Brown Pink. 
Burnt Sienna. 
Burnt Umber. 
Carnation. 
Chinese White. 
Chrome (Deep). 



Chrome (Pale). 
Cobalt. 

Crimson Lake. 
Emerald Green. 
Flesh. 
Gamboge. 
Green Bice. 
Hooker's Green. 



Indian Red. 
Indian Yellow. 
Indigo. 
Light Red. 
Naples Yellow, 
Neutral Tint. 
Olive. 
Orange. 



Prussian Blue. 
Purple Lake. 
Raw Sienna. 
Raw Umber. 
Red Lead. 
Roman Ochre. 
Royal Blue. 



Scarlet Lake. 
Sepia. 

Ultramarine. 
Vandyke Brown. 
Venetian Red. 
Vermilion. 
Yellow Ochre. 



Aureolin. 


Gold. 


Bt. Carmine. 


Lemon Yellow 


Cadmium. 


Mauve. 


Carmine. 


Rose Madder. 




Silver. 



S. W. TILTON & COMPANY, PUBLISHERS, 

Chambers, 333 Washington Street, Boston. 



